Search results for: 'Art'

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Working axe from the Late Bronze Age of Europe in great condition. Typologically, it is a flanged axe head.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Modernly threaded necklace of ancient beads made of beautiful mosaic glass and sheet gold. The mosaic originated in a workshop in Roman Egypt. Ex Christie's.

Working axe from the Late Bronze Age of Europe in great condition. Typologically, it is a flanged axe head.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Finely crafted tool from the New Stone Age of Europe. Made from greenish grey rock. With a through hole at the neck as a remarkable feature.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

The pendant shows Romulus and Remus being suckled by a she-wolf. It was worn as a lucky charm or protective amulet. Made in the early Byzantine period in a glass workshop in Judaea.

Römische Fibel aus Bronze, Swastika-Form, mit tierförmigen Enden aus stilisierten Pferdeköpfen. Soldatenfibel des 3. bis 4 Jh. n.Chr., Balkan-Raum.

Dating to the early cypro-archaic period, so-called black-on-red ware II. From an old German private collection, acquired 1970 at Sotheby's. Coming with an ArtLoss certificate.

Very nice depiction of the Egyptian god Thoth as a crouching baboon with discoid and crescent moon. Ex Christie's.

Extremely well preserved figurine with stunning fine details like the collier and insignia. Late Period of ancient Egypt.

Interesting weres amulet type based on larger headrests that served the Egyptians as pillows. From the Boston Museum of Fine Arts collection. Late Period of Ancient Egypt.

Wonderful bichrome faience from the 30th dynasty or slightly later. Deaccessioned from an old museum lending collection.

Italic pottery in the subgeometric style. Made around 500 BC in Apulia. An attractive vessel due to the beautiful painting and the bird shape.

Bronze statuettes of this god are very hard to find. The assessor of the dead is shown in human form with a snake's head and a tripartite wig. From the Late Period of Ancient Egypt.

Museal erhalten. Nicht verrieben, perfekt erhaltene weiße Bemalung. Aus dem britischen Auktionshaus Bonhams, zuvor in britischer Sammlung P. Adie.

Seltene polyedrisch facettierte Streitaxt aus Hornblendeschiefer. Statussymbol in der endneolithischen Phase, 2900 bis 2350 v. Chr. Museumswürdiges Exemplar.

Impressive, very large and perfectly preserved vase with thermoluminescence expertise.