Search results for: 'glass'

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Dark and unusually large glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Matching pair of jewellery made of gold with gemstone of red garnet and white glass bead. From an ancient workshop in Egypt or the Levant.

The two sides show a woman with lion's head and a magical text. The piece is from the period of Gnosticism in the 2nd and 3rd century.

The pair of earrings is made of gold. Each piece is carrying a red insert piece. A nicely decorated piece of jewellery from North Africa in Graeco-Roman times. With Art Loss Certificate.

It shows the god Abraxas with human torso, cock's head and serpants for legs, holding whip and shield. Magical formulas on both sides of the gem. 2nd or 3rd century.

Impressive wood relief of an idealized face. Remains of paint. The mask was part of a sarcophagus lid from Ancient Egypt.

A nice bronze bird from the Late Period of Ancient Egypt. The ibis was the sacred bird of Thoth, god of wisdom and the sciences.

Impressive wood relief of an idealized face. Polychrome paint. The mask was part of a sarcophagus lid from the New Kingdom of Ancient Egypt.

Impressive wood relief of an idealized face. Remains of paint. The mask was part of a sarcophagus lid from Ancient Egypt.

Impressive wood relief of an idealized face. Remains of paint. The mask was part of a sarcophagus lid from Ancient Egypt during ptolemaic rule.

Hellenistic Greece or Egypt under Roman rule. From the Austrian collection of Prof. Ritschel, carrier of the Large Cross of Honor of the Austrian Republic and many other prizes and honors.

Painted wooden relief showing a frontal view of an idealized face. A long fake beard is prominently attached. From the Late Period of Ancient Egypt.

Magnificently painted wood relief of an idealized face. A piece of outstanding size and quality. The mask was part of a sarcophagus lid from Ancient Egypt.

An elaborate, small private portrait from the Middle Kingdom of Ancient Egypt. Made from beautifully textured granodiorite. With certificate from 1975.

From the Late Period of Ancient Egypt. Nicely patinated bronze. The piece is from the famous Matouk collection.

Magnificently preserved, polychrome hieroglyphs from the 12th Dynasty. A prime example of the strict yet energetic art of the Middle Kingdom. With attribution by Professor Settgast of the Egyptian Museum in Berlin from 1979.

One of only 30 known funerary statuettes from the tomb of Hori I, King's son of Kush. Viceroy of Kush in Nubia during the reign of the pharaohs Ramesses III and IV. An exhibited and repeatedly published piece.