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Verstärkte Mittelrippe, rechteckiger Schaft. 2. Jt. v. Chr. bis frühes 1. Jt. v. Chr. Aus der berühmten Guttmann-Sammlung, ex-Christies. Fund aus dem Nord-Westen Persiens.

Verstärkte Mittelrippe, rechteckiger Schaft. 2. Jt. v. Chr. bis frühes 1. Jt. v. Chr. Aus der berühmten Guttmann-Sammlung, ex-Christies. Fund aus dem Nord-Westen Persiens.

Verstärkte Mittelrippe, rechteckiger Schaft. 2. Jt. v. Chr. bis frühes 1. Jt. v. Chr. Aus der berühmten Guttmann-Sammlung, ex-Christies. Fund aus dem Nord-Westen Persiens.

Verstärkte Mittelrippe, rechteckiger Schaft. 2. Jt. v. Chr. bis frühes 1. Jt. v. Chr. Aus der berühmten Guttmann-Sammlung, ex-Christies. Fund aus dem Nord-Westen Persiens.

Flat bottle with double handle from the Eastern Mediterranean. Made between the 3rd and 6th century.

Seal with mythological creatures in near perfect condition. From the late 3rd Millennium BC.

Bronze finial from Iron Age Northern Iran. Decorated by stylized panthers and a janus headed hero or god. Possibly a teraphim, a house god, as referred to in the Old Testament.

Verstärkte Mittelrippe, rechteckiger Schaft. 2. Jt. v. Chr. bis frühes 1. Jt. v. Chr. Aus der berühmten Guttmann-Sammlung, ex-Christies. Fund aus dem Nord-Westen Persiens.

Matching pair of jewellery made of gold with gemstones of red garnet. From an ancient workshop in Egypt or the Levant.

Matching pair of jewellery made of gold with gemstone of red garnet and white glass bead. From an ancient workshop in Egypt or the Levant.

Polychrome glass jewellery with a plastically moulded face of a woman. A product from the Phoenician culture, created around 400 BC.

Mold-made clay figure, a fertility idol or erotic image from the Middle Elamite period, 1500 to 1100 BC.

Perfectly preserved ring stone made of orange carnelian. It shows a winged hybrid creature with the body of a lion. With inscription in Pahlavi, the Middle Persian script of the Sassanids.

Tall and intricately carved bone figurine portraying a stylized woman. From the 2nd century AD.

Autor historischer Fachpublikationen, Träger des Bundesverdienstkreuzes.Großes Fragment einer Tafel mit gut erhaltener akkadischer Schrift.

Scene with sun god Shamash and the Amorite god Amurru. The cuneiform writing names the owner of the seal, a faithful servant of these deities.

High quality chlorite vessel from the Kerman province in Iran. From the 3rd millennium BC.

The richly decorated brooch is a wonderful miniature work of art. It is from the 8th or 7th century BC, when the empire of the Phrygans was at its height. The time when the legends around King Midas spawned.

Perfectly preserved with beautiful dark patina. End of 2nd to 1st half 1st millenium BC. Iron Age culture, Western Asia.

Made from beautiful light green stone during the early Iron Age. The seal is from northern Syria or southern Anatolia and bears an abstract depiction of a stag.

Massive, perfectly preserved figurine with beautiful dark patina. Second to early first millenium BC. Ex Karl Kress auction 147 (May 5th 1969) Nr. 57.

The zoomorphic axehead from Mesopotamia is an exceedingly rare variety of the Naram-Sin type. Akkadian Empire, around 2300 BC.

Extremely skillfully crafted jewellery with wonderful granulation. The design points to Syria during the Late Roman Imperial period.

The elegant vessel is a magnificent example of the mature art of glass making in the Roman Empire during Late Antiquity. From the collection of the well-known archaeologist Professor Fritz Fremersdorf.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Dark and unusually large glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.