Search results for: 'Mittelalter'

Appealing pottery made by the precolumbian Ica culture and decorated with a linear pattern. Around 1000 AD.

Colourfully painted pottery made by the precolumbian Ica culture. Nicely decorated by five rows of ornamentation. Around 1000 AD.

The imposing vessel shows not just a jaguar but a transformed shaman in his animal form. It was made in Pre-Columbian Mesoamerica between 800 and 1200 AD and used for funeral purposes in the Guanacaste region.

Thin-walled pottery bowl with abstract painting. The pre-Columbian art of the Chancay seems simple at first, but radiates an elegance that still seems modern today.

Flat pottery bowl with abstract painting. The pre-Columbian art of the Chancay seems simple at first, but radiates an elegance that still seems modern today.

Elegant bowl with shiny black surface. Precolumbian pottery of the 10th to 15th century.

The so-called Tumi was a weapon to cut the throats of humans and animals in ritual sacrifices. The knife certainly fulfilled an additional representative function in the afterlife. From the period of the Sican's cultural florescence during the 10th to 12th centuries AD.

Thin-walled pottery bowl with abstract painting. The pre-Columbian art of the Chancay seems simple at first, but radiates an elegance that still seems modern today.

The so-called Tumi was a weapon to cut the throats of humans and animals in ritual sacrifices. The knife certainly fulfilled an additional representative function in the afterlife. From the period of the Sican's cultural florescence during the 10th to 12th centuries AD.

Thin-walled pottery bowl with abstract painting and plastic animal head handles. The pre-Columbian art of the Chancay seems simple at first, but radiates an elegance that still seems modern today.

The so-called Tumi was a weapon to cut the throats of humans and animals in ritual sacrifices. The knife certainly fulfilled an additional representative function in the afterlife. From the period of the Sican's cultural florescence during the 10th to 12th centuries AD.

Flat pottery bowl with abstract painting. The pre-Columbian art of the Chancay seems simple at first, but radiates an elegance that still seems modern today.

Flat pottery bowl with abstract painting on the inside. The pre-Columbian art of the Chancay seems simple at first, but radiates an elegance that still seems modern today.

Präinkazeit und Präkolonialzeit, 500 n. Chr. bis 1500 n. Chr. Darstellung eines Jaguars in Ritztechnik. Eindrucksvolle Bearbeitung.

Präinkazeit und Präkolonialzeit, 500 n. Chr. bis 1500 n. Chr. Darstellung eines Seevogels in Ritztechnik. Eindrucksvolle Bearbeitung.

The so-called Tumi was a weapon to cut the throats of humans and animals in ritual sacrifices. The Tumi certainly fulfilled an additional representative function in the afterlife. From the period of the Sican's cultural florescence during the 10th to 12th centuries AD.

The so-called Tumi was a weapon to cut the throats of humans and animals in ritual sacrifices. The knife certainly fulfilled an additional representative function in the afterlife. From the period of the Sican's cultural florescence during the 10th to 12th centuries AD.

Potosi, Bolivia. Very fine, rare quality and preservation for a cob coin.

Potosi, Bolivia. Very fine, nice quality and preservation for a cob coin.

Sevilla, Philipp IV, 1621-65 n. Chr. Außergewöhnlich gute Erhaltung. Unsterblich gemacht in Stevensons Meisterwerk "Die Schatzinsel".

Mexiko Stadt, Philipp III, um 1610 n. Chr. Außergewöhnlich gute Erhaltung. Unsterblich gemacht in Stevensons Meisterwerk "Die Schatzinsel".

Potosi (Bolivien), Philipp III, 1598 - 1621 n. Chr. Erhaltung: sehr schön. Unsterblich gemacht in Stevensons Meisterwerk "Die Schatzinsel".

Potosi, Bolivia, ca. 1st half 17th century AD. This type of coins is also known as cob coins, pieces of eight or pirate money

Potosi, Bolivia. Very fine, nice quality and preservation for a cob coin. This type of coins is also known as pieces of eight or pirate money

Lima, struck 1717 under Philipp V. Very fine, nice quality and preservation for a cob coin. Also known as piece of eight or pirate money.

Charles II, Potosi (Bolivia) 1687. Very fine, great patina. Nice quality and preservation for a cob coin.

Die Form ergibt ein stilisiertes Tier oder ein Fabelwesen. Rückseite flach. Etwa 300 n. Chr. bis 900 n. Chr.

Keramik mit bichromer Glasur und interessanter bikonischer Form. 16,5cm Durchmesser. 200 v. Chr. bis 200 n. Chr. Prä-Inka und Prä-Kolonialzeit.

Kegelförmiger Körper, an Spitze fortgesetzt zu tailliertem Hals. Außenfläche mit Dekor aus weißen Punkten. 300 n. Chr. bis 900 n. Chr.

Form ergibt eine gedrungene männliche Figur mit erhobener Hand und angedeutetem Phallus. Deutliche Gesichtszüge und Kopfbedeckung.

Zoomorphe Dekoration. 600 n. Chr. bis 900 n. Chr., späte Klassik der Maya-Zivilisation. Mittelamerika, Honduras. Museumswürdige Erhaltung, beeindruckende 33cm Durchmesser.

Matching pair of gold earrings from the Zenú culture. Dating to the 1st millennium. Impressive gold jewellery, once worn as earrings by the Zenú people.

500 n. Chr. bis 1500 n. Chr., Präinkazeit und Präkolonialzeit. Bichrome Tonperle mit geometrischem Dekor.

500 n. Chr. bis 1500 n. Chr., Präinkazeit und Präkolonialzeit. Bichrome Tonperle mit kunstvoller Miniaturszene, dargestellt ist ein Pelikan.

500 n. Chr. bis 1500 n. Chr., Präinkazeit und Präkolonialzeit. Bichrome Tonperle mit kunstvoller Miniaturszene, dargestellt ist ein Fischreiher.

500 n. Chr. bis 1500 n. Chr., Präinkazeit und Präkolonialzeit. Bichrome Tonperle mit kunstvoller Miniaturszene. Die Perle trägt ein abstraktes geometrisches Dekor.