Search results for: 'Ancient seal'

Amulet seal as a good luck charm with a protective function. Second Intermediate Period of ancient Egypt.

Amulet seal with tree of life on the underside. Third Intermediate Period of ancient Egypt.

Amulet seal with pharao and servant on the underside. Third Intermediate Period of ancient Egypt.

Amulet seal with complex design of crosses on the underside. Second Intermediate Period of ancient Egypt.

Amulet seal with complex design of crosses on the underside. Second Intermediate Period of ancient Egypt.

Amulet seal in the shape of a scarab with schematic top side. Second Intermediate Period of ancient Egypt.

Amulet seal with a complex knot design on the underside, possibly symbolizing the unity of Egypt. Second Intermediate Period of ancient Egypt.

Amulet seal with a complex knot design on the underside, possibly symbolizing the unity of Egypt. Second Intermediate Period of ancient Egypt.

Amulet seal with figural scene on the underside, two standing figures next to tree of life. Third Intermediate Period of ancient Egypt.

Amulet seal in the shape of a scarab with schematic top side and braided tape on the underside. Second Intermediate Period of ancient Egypt.

Interesting bronze seal showing a bird and glyphs. From a collection of Iranian ancient artefacts.

Made of beautiful red stone, worked with the drill. From the transitional period between Chalcolithic and Early Bronze Age in Mesopotamia.

This Old Babylonian seal with a worship scene is made from lapis lazuli, a very rare choice for this period.

A wonderful and rare example of the Bronze Age Greek art of engraving stones. It shows a fantasy creature with lion body and bird of prey head. Mid-2nd Millennium BC.

Scene with sun god Shamash and the Amorite god Amurru. The cuneiform writing names the owner of the seal, a faithful servant of these deities.

Piriform body with engraved cross on the lid. A piece from the Roman Imperial period. Published in a standard work by Richard Hattatt.

Lozenge shaped body with lid in Celtic design. A piece from the 1st or 2nd century, found near the Celtic settlement and later Roman town of Lindum. Published in a standard work by Richard Hattatt.

Local levantine production during the 13th to 15th dynasty of Egypt. With an export permit from the Israel Antiquities Authority.

Local levantine production during the 13th to 15th dynasty of Egypt. With an export permit from the Israel Antiquities Authority.

Ancient Egyptian amulet seal with beautiful motive. Six lotus flowers are forming volutes. This scarab is described in the catalogue of Irène Gautier-Vodoz.

Seal made of wonderful pink Amethyst. It shows an offering scene with gods. From the Dr. Foster collection.

Interesting button shaped seal from the time of the ancient Assyrian trade settlements in Syria and Anatolia. 19th to 18th cent. BC. From the Dr. Langenkamp collection, with a scientific note from Prof. Mayer-Opificius.

Interesting button shaped seal from the time of the ancient Assyrian trade settlements in Syria and Anatolia. 19th to 18th cent. BC. From the Dr. Langenkamp collection, with a scientific note from Prof. Mayer-Opificius.

Exciting depiction of a winged rider on the back of a griffin. Orange glass paste.

Amulet seal with pseudo hieroglyphs on the underside. Late or post Ramesside period.

Clay roller stamp with relief of plants to be applied as skin decoration. This tool was used in the early phase of the ecuadorian Jama-Coaque culture.

The gem stone from the Late Roman Imperial period is engraved in linear style. It shows a standing person in a cloak.

Ring stone made of beautiful orange glass. From the Professor Brosch collection of ancient gems.

The glass paste shows a hand enclosing a bird. It is a very rare depiction for an ancient ring insert.

Roman jewellery insert made of transparent glass paste, imitating amethyst. It shows a creature with the front part of a griffin.

The skillful work shows a Roman galley with rowers. It is a very rare depiction for an ancient glass paste.

Made of bright orange glass paste. From the Professor Brosch collection of engraved gems.

It shows the god with his upper body leaning forward, the left leg raised and bent. Magnificent orange glass paste with iridescent patina.

The glass paste shows the god as a boy, standing with his bow in one hand. From the Professor Brosch collection of engraved gems.

The glass paste features a famous depiction of Victoria writing the names of victors in battle on a large shield. The motif reiterates a 1st century bronze statue.

Made of bright orange glass paste. From the Professor Brosch collection of engraved gems.