Search results for: 'Ancient seal'

Wonderful stone, a cream-coloured agate. The engraved animal is probably a gazelle ready to jump. From the period of Sasanian rule in the Near East.

The Mesopotamian seal shows a geometrical arrangement of schematic turtles or tadpoles. Around 3000 BC.

Local levantine production during the 13th to 15th dynasty of Egypt. With an export permit from the Israel Antiquities Authority.

Local levantine production during the 13th to 15th dynasty of Egypt. With an export permit from the Israel Antiquities Authority.

The stamp shows the spade of Marduk, patron deity of the city of Babylon. Above a crescent, symbolizing the moon god Sin. 7th to 6th century BC.

Ancient Egyptian amulet seal with beautiful motive. Six lotus flowers are forming volutes. This scarab is described in the catalogue of Irène Gautier-Vodoz.

Interesting seal from Mesopotamia during the Akkad III period. It shows worshippers with cups standing before the sky god.

Seal of reddish brown stone from the Middle Bronze Age of Mesopotamia. It shows three standing deities, one with the shepherd's staff of Amurru.

Made from beautiful light green stone during the early Iron Age. The seal is from northern Syria or southern Anatolia and bears an abstract depiction of a stag.

Seal made of wonderful pink Amethyst. It shows an offering scene with gods. From the Dr. Foster collection.

Interesting button shaped seal from the time of the ancient Assyrian trade settlements in Syria and Anatolia. 19th to 18th cent. BC. From the Dr. Langenkamp collection, with a scientific note from Prof. Mayer-Opificius.

Interesting button shaped seal from the time of the ancient Assyrian trade settlements in Syria and Anatolia. 19th to 18th cent. BC. From the Dr. Langenkamp collection, with a scientific note from Prof. Mayer-Opificius.

The intaglio in wonderful condition shows a hunting scene in great detail. A male boar in an aggressive pose is barked at by a hunting dog ready to fight.

Exciting depiction of a winged rider on the back of a griffin. Orange glass paste.

Amulet seal with pseudo hieroglyphs on the underside. Late or post Ramesside period.

Clay roller stamp with relief of plants to be applied as skin decoration. This tool was used in the early phase of the ecuadorian Jama-Coaque culture.

Clay roller stamp with rich ornamental relief to apply skin decoration. This tool was used in the early phase of the ecuadorian Jama-Coaque culture.

The gem stone from the Late Roman Imperial period is engraved in linear style. It shows a standing person in a cloak.

The piece from the Professor Brosch collection shows a standing woman. Wonderful violet colour.

Ring stone made of beautiful orange glass. From the Professor Brosch collection of ancient gems.

An ancient intaglio from Roman times made of dark glass paste. From the Professor Brosch collection of engraved gems.

The glass paste shows a hand enclosing a bird. It is a very rare depiction for an ancient ring insert.

Roman jewellery insert made of transparent glass paste, imitating amethyst. It shows a creature with the front part of a griffin.

The skillful work shows a Roman galley with rowers. It is a very rare depiction for an ancient glass paste.

Made of bright orange glass paste. From the Professor Brosch collection of engraved gems.

It shows the god with his upper body leaning forward, the left leg raised and bent. Magnificent orange glass paste with iridescent patina.

An ancient intaglio from Roman times made of nice orange glass paste. From the Professor Brosch collection of engraved gems.

The glass paste shows the god as a boy, standing with his bow in one hand. From the Professor Brosch collection of engraved gems.

The glass paste features a famous depiction of Victoria writing the names of victors in battle on a large shield. The motif reiterates a 1st century bronze statue.

The glass paste features Victoria writing the names of victors in battle on a large shield.

Made of bright orange glass paste. From the Professor Brosch collection of engraved gems.

The orange glass paste shows the goddess next to a high column. Her mantled glides down below her hips at her back.

Blue opaque glass paste with depiction of a soldier. From the Professor Brosch collection of engraved gems.

The ancient glass paste might show Ares from Greek mythology, god of bloody wars.

Roman intaglio made of nice yellow-orange glass paste. It has a great motif, showing the goddess Athena with shield and spear, holding a small Nike on her hand.

The beautiful violet glass paste shows the hero Heracles with two of his typical attributes, the club and the lion skin.