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This Egyptian funerary statuette was found in the 19th century in the northern part of Abydos. It dates to the 22nd dynasty.

Egyptian funerary figurine from the Third Intermediate Period. The owner's name is rarely attested and could hint to an origin in the Faiyum Oasis.

Stunning Egyptian funerary figurine from the time of the 22nd dynasty. Formerly in the Rolls-Royce family collection.

The mummiform funerary figurine dates to the Late Period of ancient Egypt, 26th to 31st dynasty. It is remarkable that it probably originates from the burial of two brothers, Ra-mes and Somtus-tefnacht.

The mummiform funerary figurine dates to the Late Period of ancient Egypt, 26th to 31st dynasty. It is remarkable that it probably originates from the burial of two brothers, Somtus-tefnacht and Somtus-tefnacht.

Interesting figurine made of green faience with black paint. A typical funerary statuette from the Third Intermediate Period of ancient Egypt.

Funerary statuette made of turquoise faience with black paint and cute name inscription.

Large wooden statue representing the ancient Egyptian funerary deity Ptah-Sokar-Osiris. Nicely painted figurine including base from the Ptolemaic period of ancient Egypt.

Exceptional funerary statuette from Deir el-Medina. Third Intermediate Period of Ancient Egypt.

The tomb of Pa-di-pepet was discovered in 1893 west of the Pyramid of Teti at Saqqara. His funerary statuettes were given to important museums and into private collections. Dating to the reign of Pharaoh Psamtik I and his successor Necho II.

The mummiform funerary figurine dates to the Late Period of ancient Egypt, 26th to 31st dynasty. It is remarkable that it probably originates from the burial of two brothers, Ra-mes and Somtus-tefnacht.

The mummiform funerary figurine dates to the Late Period of ancient Egypt, 26th to 31st dynasty. It is remarkable that it probably originates from the burial of two brothers, Somtus-tefnacht and Somtus-tefnacht.

The mummiform funerary figurine dates to the Late Period of ancient Egypt, 26th to 31st dynasty. It is remarkable that it probably originates from the burial of two brothers, Somtus-tefnacht and Somtus-tefnacht.

The mummiform funerary figurine dates to the Late Period of ancient Egypt, 26th to 31st dynasty. It is remarkable that it probably originates from the burial of two brothers, Somtus-tefnacht and Somtus-tefnacht.

The mummiform funerary figurine dates to the Late Period of ancient Egypt, 26th to 31st dynasty. It is remarkable that it probably originates from the burial of two brothers, Somtus-tefnacht and Somtus-tefnacht.

The mummiform funerary figurine dates to the Late Period of ancient Egypt, 26th to 31st dynasty. It is remarkable that it probably originates from the burial of two brothers, Somtus-tefnacht and Somtus-tefnacht.

The mummiform funerary figurine dates to the Late Period of ancient Egypt, 26th to 31st dynasty. It is remarkable that it probably originates from the burial of two brothers, Somtus-tefnacht and Somtus-tefnacht.

The mummiform funerary figurine dates to the Late Period of ancient Egypt, 26th to 31st dynasty. It is remarkable that it probably originates from the burial of two brothers, Ra-mes and Somtus-tefnacht.

The back of the scarboid body is shaped like a lying cat. New Kingdom of ancient Egypt, around 1000 BC.

The Egyptian shabti is from the daughter of Pinudjem II who ruled Egypt during the Third Intermediate Period. It was excavated in the 1840ies at the Ramesseum.

One of only 30 known funerary statuettes from the tomb of Hori I, King's son of Kush. Viceroy of Kush in Nubia during the reign of the pharaohs Ramesses III and IV. An exhibited and repeatedly published piece.

Interesting ushabti from Memphis dating to the late 19th Dynasty, New Kingdom. The owner was an official from the Temple of Ptah.

Fantastic seal carved out of amethyst. It shows his owner Shuk-Kuku with the goddess Ninsianna. Five columns of Elamite cuneiform inscription frame the scene.

Engraved in fine detail and well preserved. Scene with three gods. Three columns of cuneiform inscription name the owner Aham-Lurshi. Approx. 1900 to 1600 BC.

A royal sphinx and Maat, the goddess of truth and justice adorn the lower side. Above them is the cartouche of Mencheperre. The piece is probably from the regin of Ramesses IV or V.

The stone tool is from the European Neolithic. A special feature is the museum-quality custom made shaft which gives a great impression of the tool's former mounting.

Fantastic private seal with a rare depiction of the god Amurru. 1900 to 1600 BC.

Stunning historical document with three columns of cuneiform inscription naming the original owner and the Babylonian storm god Adad.

Typical glass jewellery from one of the Eastern Mediterranean glass factories. This popular type was made with a motif stamped into each side of the glass disc. Late 4th to 5th century AD.

Banded glass imitating natural agate. The piece was once inserted into jewellery from the Roman Imperial period.

The Roman glass paste shows a tall vase surrounded by vine leaves. It is a mixing vessel for wine.

One half of a stone mould for bronze casting. The equipment is from a workshop of the 2nd Millennium BC, probably from the Carpathian Basin. From the famous Guttmann Collection. This mould was published in a work by Born and Hansen.

One half of a stone mould for bronze casting. The equipment is from a workshop of the 2nd Millennium BC, probably from the Carpathian Basin. From the famous Guttmann Collection. This mould was published in a work by Born and Hansen.

The well-preserved wood object is a rare example for this funenary ritual. The high quality piece was made around the Amarna Period in the late 18th dynasty of ancient Egypt.

The perfectly preserved mould was used to counterfeit coins with a FEL TEMP REPARATIO reverse and was used frequently. From time of Constantius II (337-361 AD) or slightly later.

One half of a stone mould for bronze casting. The equipment is from a workshop of the 2nd Millennium BC, probably from the Carpathian Basin. From the famous Guttmann Collection. This mould was published in a work by Born and Hansen.