Search results for: 'Stone to'

Compact bronze axe head from Early Bronze Age. The piece was found in Judea.

Trapezoidal axe head from Early Bronze Age. The piece was found in Judea.

One half of a stone mould for bronze casting. The equipment is from a workshop of the 2nd Millennium BC, probably from the Carpathian Basin. From the famous Guttmann Collection. This mould was published in a work by Born and Hansen.

One half of a stone mould for bronze casting. The equipment is from a workshop of the 2nd Millennium BC, probably from the Carpathian Basin. From the famous Guttmann Collection. This mould was published in a work by Born and Hansen.

Heavy stone head of a mace with a depressed globular shape. Beautiful whitish brown hardstone. From the Early Bronze Age of Western Asia.

Heavy head of a mace with a globular shape. Nicely polished stone. From the Early Bronze Age of Western Asia.

The perfectly preserved seal is from the Jemdet Nasr period. The stamp shows two goats.

The pieces were part of a mosaic decoration of a Mesopotamian structure in the 4th Millenium BC. The temple architecture from Uruk is a particularly well known example of such a use.

Heavy head of a mace with an ovoid shape. Wonderful veined rock. From Early Bronze Age of the Near East.

This Egyptian fish symbolizes fertility and rebirth. A nice cultic item from the New Kingdom of Ancient Egypt.

The magnificent seal is from the Jemdet Nasr period. The stamp shows quadrupeds and a scorpion. Published in a book about the Epstein collection.

The highly abstract figure was made in northern Mesopotamia, probably in northern Iraq. A wonderful piece from the late 4th Millennium BC.

Very nicely engraved seal made of haematite. The orderly scene shows two gods of the Babylonians.

Interesting group of two artefacts. A Neolithic flint blade from Egypt and a Bronze Age mould for casting or hammering metal.

Worship scene for a god. Mention of the Babylonian gods of storm, moon and sun in the inscription.

The seal shows several gods in front of the god of the heaven. The piece comes from Anatolia or northern Syria, quite possibly from Cappadocia.

Scene with sun god Shamash and the Amorite god Amurru. The cuneiform writing names the owner of the seal, a faithful servant of these deities.

Beautiful beads of orange-patterned carnelian, beige-banded agate, and pleasantly contrasting blue lapis lazuli. Similar to the jewelry of the Sumerian queen Puabi. Early Dynastic Period of Mesopotamia, around 2500 BC.

Mold-made clay figure, a fertility idol or erotic image from the Middle Elamite period, 1500 to 1100 BC.

Worship scene for a god. Mention of moon god Sîn and Aya, wife to the sun god, in the inscription. 1900 to 1600 BC.

The lovely seal made of black hematite is from Middle Bronze Age Anatolia or Syria. It is from the famous Erlenmeyer collection, built in the 1940ies to 1960ies.

Interesting seal from Mesopotamia during the Akkad III period. It shows worshippers with cups standing before the sky god.

Fantastic private seal with a rare depiction of the god Amurru. 1900 to 1600 BC.

Stunning historical document with three columns of cuneiform inscription naming the original owner and the Babylonian storm god Adad.

The seal from Old Babylonian times is superbly engraved and shows a scene with the Babylonian sun god Shamash who is known from the Epic of Gilgamesh.

Egyptian funerary figurine made of wood with details added in black. Figure from the 19th dynasty of ancient Egypt, hieroglyphs added in modern times.

Exceptionally rare main piece of a hand spindle. A find from Thebes in Upper Egypt. From the reign of pharao Senusret II, around 1840 BC.

The so-called Kandila perfectly illustrates why the abstract Bronze Age art of the Cyclades still fascinates us today. The parallels to modern art are unmistakable. The masterpiece comes from Elie Borowski's inventory.

This seal from Old Babylon has been reworked in Old Assyrian style, probably in Anatolia or Northern Syria. It tells a story of political and cultural diversity in the ancient Near East.

Nicely painted Egyptian funerary statuette from the Ramesside Period.

Egyptian funerary figurine from the Third Intermediate Period. The owner's name is rarely attested and could hint to an origin in the Faiyum Oasis.

Tall Egyptian funerary statuette from the New Kingdom. From the collection of the archaeologist and artist Erich Charlier.