Amulet seal with pseudo hieroglyphs at the underside. Second Intermediate Period of ancient Egypt.

The seal depicts a tree of life with a rhomb and eight-pointed star, symbol of Ishtar. 7th to 6th century BC.

Clay roller stamp with relief of plants to be applied as skin decoration. This tool was used in the early phase of the ecuadorian Jama-Coaque culture.

Clay roller stamp with relief of stylized plants used to apply skin decoration. This tool is from the early phase of the ecuadorian Jama-Coaque culture.

The octagonal seal shows two hybrid creature around a tree of life. It originates from the Neo-Assyrian culture of the 8th to 7th cent. BC.

The ancient impressions in clay are from papyrus documents issued and sealed in Roman times. A fantastic testimonial to Roman bureaucracy.

Interesting group of objects from the Professor Brosch collection of ancient gems. It has two intaglios, one cameo, two glass decorations, a lead bulla and a modern cast of a quality ancient gem.

The stamp shows the spade of Marduk, patron deity of the city of Babylon. Above a crescent, symbolizing the moon god Sin. 7th to 6th century BC.

Amulet seal with pseudo hieroglyphs at the underside that should give protection or good luck to the owner according to ancient Egyptian beliefs. Second Intermediate Period of ancient Egypt.

This beautiful stamp seal is from the First Persian Empire of the Achaemenids or from parts under Greek control. 5th to 4th cent. BC.

The octagonal stamp seal shows a hybrid creature and a priest. It originates from the Neo-Assyrian culture of the 8th to 7th cent. BC.

Amulet seal with pseudo hieroglyphs at the underside. Second Intermediate Period of ancient Egypt.

Colourful seal with geometrical decoration. Neo-Babylonian or Achaemenid, 6th to 5th cent. BC.

This stunning stamp seal is from the First Persian Empire of the Achaemenids or from parts under Greek control. 5th to 4th cent. BC.

Clay roller stamp with relief of mythological creatures to be applied as a skin decoration. This tool was used in the early phase of the ecuadorian Jama-Coaque culture and was found in Pedernales.

Clay roller stamp with rich ornamental relief to apply skin decoration. This tool was used in the early phase of the ecuadorian Jama-Coaque culture.

Nice seal made of black rock in the shape of a duck with reclining head. From the Neo-Babylonian or Neo-Assyrian Empire.

Amulet seal with twisted band design at the underside. Second Intermediate Period of ancient Egypt.

Amulet seal with geometric design at the underside. Second Intermediate Period of ancient Egypt.

Amulet seal as a good luck charm with a protective function. Second Intermediate Period of ancient Egypt.

Amulet seal with spirals and blossoms design on the underside. Second Intermediate Period of ancient Egypt.

Beautiful seal of light brown marble. It shows a crowded scene of two felines attacking two quadrupeds. From the Early Bronze Age of Mesopotamia.

The large seal with highly stylized scene is from the Second Dynasty of Isin. It stands at the beginning of Iron Age in Mesopotamia.

Slightly oval gemstone made of orange brown glasspaste imitating Carnelian. Dating to Roman times.

Intaglio made of vibrant blue glass paste. Dates to Roman Republic until Roman Imperial times.

Nice orange glowing glass paste imitating carnelian. Gemstone from Roman times.

Extremely nice sparkling blue glass paste. The scene is similar to a Roman interpretation of the Homeric epics.

A scene with a young man is moulded into dark blue glass. Insert stone dating to Roman Imperial times.

The motive is moulded into the dark blue opaque glass paste. It shows the goddess of victory Nike.

The seal has the shape of the Horus falcon. Late Period of Ancient Egypt. Coming from the famous Matouk collection.

The scene shows two warriors in a conversation. The glass imitates natural stone with a white inclusion.

The turquoise glass paste has two standing warriors as a motive. Simple work dating to Roman Imperial times.

The scene is moulded in great detail into the orange brown glass paste. It shows a young man holding a so-called aplustre.

The high quality glass paste shows a naked warrior with speer and shield with emblem. Roman Republican to Roman Imperial times.

The high quality work shows a dancing Maenad with her head thrown back in ecstasy. Beautiful yellow glass.

The work of art shows a standing young man. Roman Republican to Roman Imperial times.