The intaglio of yellow orange glass shows a standing bull or ox. From the Professor Brosch collection.

The ancient intaglio shows a goat standing on its hind legs. The front legs are placed against an object. Wonderful details in the dark glass.

The ring insert shows a hybrid being standing on tiptoe, pouring from a shouldered amphora. A prime example of Roman glass pastes in almost perfect condition.

The glass paste shows four warriors in full military gear. They face each other in battle. A nice piece from the Professor Brosch collection of ancient glyptics.

The small ring insert is made of dark, opaque glass paste. It shows a standing person.

Roman yellow glass paste from the Professor Brosch collection of ancient glyptics.

Possibly made by the Celtic Durotriges tribe under Roman rule in Britain. The piece is published in two books by Richard Hattatt.

Nice and rare enameled variant of the Hod Hill type. Found in Norfolk, UK. The piece is published in two books by Richard Hattatt.

The rare depiction is typical of the god Khnum. From the Late Period to Ptolemaic period of Ancient Egypt.

Finial in the shape of a bird, probably once the head of a rod or distaff. From the Late Roman or Early Byzantine period.

Belonging pair of jewellery made of gold, each decorated with shield and bead. From the Roman provinces of the eastern Mediterranean, made during the Imperial period.

The dark glass paste symbolizes a famous love affair from ancient mythology. The sky father Zeus falls in love with the beautiful Ganymede, a Trojan king's son.

Nice ring insert made of composite glass. Its imprint shows the moment of the mythological boar hunt in which Meleager slays the beast.

Roman glass paste with nice depiction of the Greek god of love as a child, probably a lyre in his hands.

Interesting silver fibula from the later Roman Imperial period. From the famous Leo Mildenberg collection.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Wonderful gold jewellery with shield and pendant with spiral decor. Made during Roman Imperial times.

Nice depiction on the dark glass paste. It shows the horses of the chariot at full gallop.

The white banded glass paste and shows a scene with nymph or maenad putting her arm around a satyr's neck.

The roman intaglio shows a standing god. From the Professor Brosch collection of engraved gems.

Gold jewellery with plastically modeled heads of a lion. The elaborate gold sheet head is typical for hellenistic earrings.

Roman light red glass paste from the Professor Brosch collection of ancient glyptics. Possibly showing Heracles and Apollon.

An ancient intaglio from Roman times made of nice orange glass paste. It shows a person leaning on a sword or rudder stock.

Attractive white banded orange glass paste. From the Professor Brosch collection of engraved gems.

S-shaped earrings with small decorative elements. Roman craftsmanship of the 1st to 2nd century from the eastern Mediterranean.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Polychrome glass bead with stylized elements of a face as protection against the evil eye. Produced in Carthage or the Phoenician homeland, 4th to 3rd century BC.

Nice white-banded, orange-brown glass paste. It shows the spirit of nature in extasy.

The gem stone from the Late Roman Imperial period is engraved in linear style. It shows a standing person in a cloak.

The piece of gold jewellery could be worn as a pendant on the ear or on a necklace. The relief shows a most famous cult statue, the Ephesian Artemis. The medallion was made between the 1st and 3rd century.

The glass paste depicts a scene from the battle of the 300. Othryades declares the victory of Sparta. He writes it on the shield of a slain enemy with blood from his own wounds.

An ancient intaglio from Roman times made of nice violet glass paste and shows a scene between two persons.

An ancient intaglio from Roman times made of nice orange-brown glass paste. From the Professor Brosch collection of engraved gems.