Roman Imperial copy of a classical Greek original. Coming with an Art Loss certificate.

Possibly Ptolemaios III or IV or a private portrait following the official style.

Perfectly preserved impressive portrait from Californian collection, prior to this in an old German collection.

Very large, perfectly preserved polychrome mosaic from a Jerusalem collection.

Impressive and very fine preserved piece from an old British collection.

Perfectly preserved piece with very vivid bichrome decoration. Ex Christie's.

Ex Fortnum and Mason, London, UK. Impressive piece.

First half 7th century BC, possibly slightly later. Decorated with geometric motifs. Very interesting, unpublished shape.

Impressive, very large and perfectly preserved vase with thermoluminescence expertise.

Large vase used for watering down wine in Ancient Greece. With ArtLoss Certificate.

Early 6th century BC. Perfectly preserved, from an old Swiss collection before 1930.

Gruppe von Fibeln und anderen Metallobjekten.

Gruppe von kleinen Gewichten.

Krug aus Ton.

Massive piece with beautiful ram head shaped handle, 1st-2nd century AD

Perfectly preserved, massive piece with beautiful dark patina, 6th-5th century BC. With ArtLoss Certificate.

Perfectly preserved, massive piece of ancient art with beautiful green patina, 1st - 2nd century AD

Perfectly preserved, impressive piece from old German collection

The Egyptian scarab bears a hieroglyphic inscription which can be read as the name of pharao Seti I. From the Ramesside period, around 1300 BC.

The piece from the Ramesside period shows the goddess of truth and justice. Next to her is a name, probably that of pharao Mencheperre, who is famous as Thutmosis III.

God of the air and the sun. The highly stylized figurine shows the ancient Egyptian god on his knees, the arms raised towards the sun. From a British private museum.

The figurine was supposed to have a magical protective function. 26th to 30th dynasty of Ancient Egypt. From a British private museum.

Interesting motive showing the kneeling god of endlessness with palm stem in both hands. Above him the cartouche of pharao Mencheperre. Around the 18th dynasty of ancient Egypt.

The piece is from the Third Intermediate Period or the Late Period of ancient Egypt. The inscription refers to Amun-Re, the main god of Theben. The glaze is shining in vivid blue colour.

The bracelet is massive yet elegant. Crossed lines and open circles are engraved on its surface. It is a beautiful piece from the Iron Age of Luristan.

The bracelet has an interesting decoration on the outer side. It is a heavy and impressive bronze object.

The violet intaglio shows a naked warrior stepping on his dead enemy. He holds the separated head in his hand.

The ancient intaglio from Roman times shows an elderly man who is working an oval shield with a hammer. It is an interesting representation of a craftsman at work.

The intaglio depicts the goddess from etrusco-italic mythology sitting on a throne with her shield. Minerva was the protector of the crafts and commerce.

Important and unique pin type of Luristan. This specimen is decorated by bumps forming a seven-pointed star.

Interesting variant of the more common sandal brooch. The colourful enameled brooch has been made in the northern Roman provinces. 2nd cent. AD.

Brooch in the shape of an insect. Popular type in the northern Roman provinces during the 2nd century.

A piece from the Ramesside Period to the early Third Intermediate Period of ancient Egypt. Great early 20th century provenance.

It shows Zeus Ammon facing another head. This is a highly interesting specimen for Roman intaglios.

Full beard and curly hair held by a taenia or diadem. The portrait resembles posthumous representations of Philipp II. made by his son Alexander the Great.

Impressive, perfectly preserved bowl from old German collection