The piece from the Ramesside period shows the goddess of truth and justice. Next to her is a name, probably that of pharao Mencheperre, who is famous as Thutmosis III.

God of the air and the sun. The highly stylized figurine shows the ancient Egyptian god on his knees, the arms raised towards the sun. From a British private museum.

The figurine was supposed to have a magical protective function. 26th to 30th dynasty of Ancient Egypt. From a British private museum.

Interesting motive showing the kneeling god of endlessness with palm stem in both hands. Above him the cartouche of pharao Mencheperre. Around the 18th dynasty of ancient Egypt.

The piece is from the Third Intermediate Period or the Late Period of ancient Egypt. The inscription refers to Amun-Re, the main god of Theben. The glaze is shining in vivid blue colour.

The bracelet is massive yet elegant. Crossed lines and open circles are engraved on its surface. It is a beautiful piece from the Iron Age of Luristan.

The bracelet has an interesting decoration on the outer side. It is a heavy and impressive bronze object.

The violet intaglio shows a naked warrior stepping on his dead enemy. He holds the separated head in his hand.

The ancient intaglio from Roman times shows an elderly man who is working an oval shield with a hammer. It is an interesting representation of a craftsman at work.

The intaglio depicts the goddess from etrusco-italic mythology sitting on a throne with her shield. Minerva was the protector of the crafts and commerce.

Important and unique pin type of Luristan. This specimen is decorated by bumps forming a seven-pointed star.

Interesting variant of the more common sandal brooch. The colourful enameled brooch has been made in the northern Roman provinces. 2nd cent. AD.

Brooch in the shape of an insect. Popular type in the northern Roman provinces during the 2nd century.

A piece from the Ramesside Period to the early Third Intermediate Period of ancient Egypt. Great early 20th century provenance.

It shows Zeus Ammon facing another head. This is a highly interesting specimen for Roman intaglios.

Full beard and curly hair held by a taenia or diadem. The portrait resembles posthumous representations of Philipp II. made by his son Alexander the Great.

Impressive, perfectly preserved bowl from old German collection

Impressive large vase from old German collection

Ceramic vessel in perfect condition with original painted frieze. Magnificent attest to the Middle Elamite civilization of Bronze Age Iran.

Elaborate early glass vessel. Opaque blue body with white decorative bands forming spirals and feathers. Late 4th to 3rd cent. BC.

The lower side bears a hieroglyph inscription. Nice piece from the Freemark collection. New Kingdom.

Interesting scarab from the New Kingdom. With hieroglyphs reading Amun Re, main god of Theben, and lotus flower.

Egyptian scarab from the 19th to 20th dynasty. With horse and hieroglyphs.

The scarab amulet dates to the Late Period. The lower side shows a stading figure, possibly the goddess Neith.

Iron Age silver pin with attractive engravings. Nice dark patina.

The pin head is shaped like an open basket with a decorative knob. Bronze with attractive patina.

Bronze braclet in perfect condition with beautiful dark patina. The terminals are stylized lion heads.

The bronze braclet is band shaped and has linear engravings on the outer side. Late Iron Age.

The goddess of art is engraved with rich details. She is sitting on a chair with the backrest shaped like a swan head.

The intaglio shows two masks joint on the rear side. It is an interesting document of the Roman theatrical culture.

The lower half of the intaglio is intact and shows a woman in a long dress. Truely special about the piece is the blue reflecting glass that turns violet when light is passing through it.

Interesting bronze seal showing a bird and glyphs. From a collection of Iranian ancient artefacts.

Ceramic vessel dating to the transition period between Bronze Age and Iron Age in Central Europe. 1200 to 800 BC. Found in an urnfield in Austria.

Ceramic vessel dating to the transition period between Bronze Age and Iron Age in Central Europe. 1200 to 800 BC. Found in an urnfield in Austria.

The Greek god of love is engraved in the orange glass in rich detail. He presses a butterfly against his breast.

Impressive wood relief of an idealized face. Polychrome paint. The mask was part of a sarcophagus lid from the Late Period of Ancient Egypt.