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Amulet seal in the shape of a scarab with schematic top side. Second Intermediate Period of ancient Egypt.

Amulet seal with circle designs as a stamp. Second Intermediate Period of ancient Egypt.

Amulet seal with a complex knot design on the underside, possibly symbolizing the unity of Egypt. Second Intermediate Period of ancient Egypt.

Amulet seal with schematic animal scene on the underside. Third Intermediate Period of ancient Egypt.

Amulet seal with a complex knot design on the underside, possibly symbolizing the unity of Egypt. Second Intermediate Period of ancient Egypt.

Amulet seal in the shape of a scarab with schematic top side and pseudo hieroglyphs at the underside. Second Intermediate Period of ancient Egypt.

Amulet seal in the shape of a scarab with schematic top side and braided tape on the underside. Second Intermediate Period of ancient Egypt.

Amulet seal in the shape of a scarab with schematic top side. Second Intermediate Period of ancient Egypt.

Amulet seal with figural scene on the underside, two standing figures next to tree of life. Third Intermediate Period of ancient Egypt.

Amulet seal with pseudo hieroglyphs on the underside. Late or post Ramesside period.

Amulet seal with master of the animals scene on the underside. Third Intermediate Period of ancient Egypt.

Amulet seal with pharao and servant on the underside. Third Intermediate Period of ancient Egypt.

Amulet seal with tree of life on the underside. Third Intermediate Period of ancient Egypt.

Amulet seal with pharao and servant on the underside. Third Intermediate Period of ancient Egypt.

Amulet seal with tree of life on the underside. Third Intermediate Period of ancient Egypt.

Amulet seal with schematic master of the crocodiles scene on the underside. Third Intermediate Period of ancient Egypt.

The barbotine decoration is masterly made and excellently preserved. Absolutely worth the exhibition in a museum. A similar piece is on exhibition in the British Museum in London. Ex Vienna Schönbrunn Gallery, acquired 1986. With TL analysis.

The seal shows several gods in front of the god of the heaven. The piece comes from Anatolia or northern Syria, quite possibly from Cappadocia.

The seal of light red stone shows two panels with interposed and stylized aquatic animals. Made around the onset of Bronze Age in Mesopotamia.

Characteristic art of seal engraving from the Late Bronze Age state of Mittani in present-day Syria. With animals under band of waves.

The Paleolithic tool is shaped like a sickle. Thebes has been handed down as the place of origin. From a 100 year old museum collection.

The Paleolithic tool is of beautiful shape and color. Thebes has been handed down as the place of origin. From an old museum collection.

The Stone Age points are finely crafted and well preserved. From a 100 year old museum collection.

The Stone Age points are finely crafted and in a good state of preservation. From a 100 year old museum collection.

The Stone Age points are finely crafted. From a 100 year old museum collection.

The Stone Age points are finely crafted. From a 100 year old museum collection.

An early seal from Bronze Age Crete. The stamp surface is shaped like a shield and features floral decoration. The piece has been studied and published in the canonical Corpus of Minoan and Mycenaean seals in 1988.

Nice pottery vessel with painted geometric decoration in reddish-brown. From Bronze Age Iran, 2nd Millenium BC.

Lovely small vessel with original lid. From an old German collection, acquired in the 1960s at Hermann Zirkel Gallery in Cologne.

Pottery of daily life from biblical times, made around 700 BC. The piece was found in Hebron, a city with considerable historical importance.

With expertise by Pierre Verité (Paris) and TL expertise by Laboratiore QED, Marseiile. From an old collection of a Frech engineer, acquired 1985 at Galerie Carrefour, Paris.

Das in der Bibel mehrfach erwähnte Mamre war u. a. der Wohnort Abrahams. Offene flache Lampe mit Halbvoluten.

Beautifully patterned old glass beads from Murano and Syria. Ex Christie's.

Large bead made of opaque dark blue glass decorated with yellow lines and light blue eyes.

The reverse features infrastructure works in the city of Carthage. Ex Gerhard Hirsch Nachf. Auktion 141 (1984), Lot Nr. 701.

Produced in the workshop of Marcus Novius Iustus between 120 and 180 A.D. The province Africa is shown as a woman with exposed breast wearing a Pharaonic headdress between elephant tusks. From an old German collection, acquired before 1979 at Galerie fuer antike Kunst Karl Heinz Zuehlsdorf, Cologne.