Featuring a three-dimensional depiction of a grim satyr's head and Medusa's head. On both sides of the handle are three-dimensional volutes culminating in the depiction of a charging boar. The workmanship is of exceptionally fine quality.

Scarce, early depiction, stylistically still strongly influenced by the kouroi of the 6th century BC, but incorporating the pan flute as an element of daily life or a ritual context. Very good condition, with a fine dark green patina. Ex Cahn AG.

About 4th - 3rd century B.C., a very similar figurine is on exhibition in the Civico Museo Archeologico in Milan. From the old German private collection H. Deikner, acquired prior to 1980.

Scarce iconography alluding to the slaying of the Lernaean Hydra. Very good condition, elegant dark green patina. From an old German collection.

Nearly perfect condition. About 4th - 3rd century B.C. From the old German private collection H. Deikner, acquired prior to 1980.

From the old German private collection of H. Deikner, acquired prior to 1980.

Egyptian canopic jar lid in the shape of a human head, dating to the New Kingdom of ancient Egypt. The high quality alabaster piece came to the Cincinnati Art Museum in 1888 and was part of the museum collection for more than 100 years.

These bronze eyes with stone inlays were mounted on a sarcophagus during the 21st to 30th dynasties. A popular but rare object, they are sometimes referred to as mummy eyes.

About 4th - 3rd century B.C., finely worked. From the old German private collection H. Deikner, acquired prior to 1980.

Ex Hoving & Winborg auction September 29, 1917. Consigned from the estate of Prof. Gustaf Retzius, a well-known and internationally honored professor of anatomy. Most recently owned by Herbert Cahn (1915–2002), one of the most important dealers in ancient coins and works of art of his time, as well as a passionate researcher in the fields of ancient numismatics and classical archaeology.

Highly stylized miniature mask of the god Bes from ancient Egypt. Stone with nice texturing.

Protective amulet in the form of a mask of the god Bes made of turquoise faience. Nice specimen from Ptolemaic Egypt.

South Italian, following conception of Tanagra figurines. From a Swiss private collection, acquired in the early 1980s.

Nicely preserved. Very impressive, large and heavy object. Ex G. Hirsch Nachf. Auktion 168, 1990.

Tall and intricately carved bone figurine portraying a stylized woman. From the 2nd century AD.

Possibly Heracles. Nice condition. From German private collection, acquired between 1980 and 1985 at the auction house Exner, Schwarzer Bär, Hannover, Germany.

From US private collection Crowley. Examined 1977 by the Curator of Antiquities of the J. Paul-Getty-Museums, Dr. Jiri Frel.

Bronze finial from Iron Age Northern Iran. Decorated by stylized panthers and a janus headed hero or god. Possibly a teraphim, a house god, as referred to in the Old Testament.

Protective amulet in the form of a mask of the god Bes made of mint green faience. Great specimen from Ptolemaic Egypt.

An elaborate, small private portrait from the Middle Kingdom of Ancient Egypt. Made from beautifully textured granodiorite. With certificate from 1975.

Young man with a bag in his hand, in the style of a kouros. The typical votary statuette from Cyprus was exported to Israel in the Cypro-Archaic period. With certificate from 1984.

Expressive and life-sized face mask from the Early Classic period of Mexico. From the museum collection of Washington University.

Beautiful small gold figure from the pre-Columbian Quimbaya culture, made by lost wax casting around 1000 years ago.

Magnificent example of the pre-Columbian Tairona culture, which produced the most impressive gold works of ancient America. In mythology, the eagle brought the seeds for one of the main crops, cassava. Made between 900 and 1550 AD.

Figure of a woman on a support, her arms and hands close to her sides. Originating from ancient Egypt.

The highly stylized figure of a man in museum-worthy condition. Made from beautifully grained andesite. Late Preclassic of Mesoamerica.

The flat relief made of red glass paste served as an inlay and decorative element in the Ptolemaic period. It was combined with a headgear and body inlay.

The figure is of very high workmanship, details like facial features and hair are finely worked and still perfectly preserved. Ex Cahn, ex Bonhams.

Gilt cartonnage with polychrome painting in fantastic condition. A museum-worthy mummy mask from the late Ptolemaic period of Egypt, from the ancient necropolis of Hawara, at the entrance to the Fayyum Basin.

A fine gold work once worn as a pendant around the neck by an elite. The small male figure was made by a largely uniform Panamanian culture, right before the old crafts disappeared under the influence of the Spaniards.

Wonderfully detailed protective amulet from Ancient Egypt. The dwarf god stands on crocodiles with daggers in his hands. Ex-Sotheby's.

Beautiful, life-size portrait. The provenance can be reconstructed until 1920, when the portrait was acquired from Jannis Demetrios Mikas by Ernest Brummer, both famous collectors.

Magnificently painted wood relief of an idealized face. A piece of outstanding size and quality. The mask was part of a sarcophagus lid from Ancient Egypt.

It impresses by its size and artistic quality. An inscription identifies the piece as votive offering at one of Amun's temples. From the Late Period of Ancient Egypt.

Fantastic preservation of the figurine with stunning fine details and well preserved inlaid eyes made of Silver. Late Period of ancient Egypt.

Main part of a sarcophagus lid with a polychrome painted exterior. A wonderful insight into the Egyptian death rituals from the Ptolemaic-Roman period in Egypt.