Fragments of Roman vessels and bricks, and of two amphora handles. Finds from the Roman city of Novaesium, today's Neuss in Germany.

Hellenistic Greece or Egypt under Roman rule. From the Austrian collection of Prof. Ritschel, carrier of the Large Cross of Honor of the Austrian Republic and many other prizes and honors.

The surface is excellently preserved. The knot above the breast clearly identifies the statue as Isis. Acquired in 1975 at Galerie Carrefour, Pierre Vérité, Paris. Coming with an Art Loss certificate.

The octagonal seal shows two hybrid creature around a tree of life. It originates from the Neo-Assyrian culture of the 8th to 7th cent. BC.

The ancient impressions in clay are from papyrus documents issued and sealed in Roman times. A fantastic testimonial to Roman bureaucracy.

A lovely sculpture from an old US collection. Very nicely preserved surface, very detailed work of art.

Interesting group of objects from the Professor Brosch collection of ancient gems. It has two intaglios, one cameo, two glass decorations, a lead bulla and a modern cast of a quality ancient gem.

Supposedly from the collection of the Swiss painter Arnold Böcklin (1827-1901). Very good condition, surface very well preserved.

The stamp shows the spade of Marduk, patron deity of the city of Babylon. Above a crescent, symbolizing the moon god Sin. 7th to 6th century BC.

Piece of a seating furniture with elaborate openwork designs. The fantastic state of preservation is known from other bronze stools found in Pompeii and the area around Mount Vesuvius.

The octagonal stamp seal shows a hybrid creature and a priest. It originates from the Neo-Assyrian culture of the 8th to 7th cent. BC.

Amulet seal with geometric design at the underside. Second Intermediate Period of ancient Egypt.

Seal with mythological creatures in near perfect condition. From the late 3rd Millennium BC.

Very nicely engraved seal made of haematite. The orderly scene shows two gods of the Babylonians.

This seal from Old Babylon has been reworked in Old Assyrian style, probably in Anatolia or Northern Syria. It tells a story of political and cultural diversity in the ancient Near East.

Stunning historical document with three columns of cuneiform inscription naming the original owner and the Babylonian storm god Adad.

Fantastic private seal with a rare depiction of the god Amurru. 1900 to 1600 BC.

Engraved in fine detail and well preserved. Scene with three gods. Three columns of cuneiform inscription name the owner Aham-Lurshi. Approx. 1900 to 1600 BC.

Fantastic seal carved out of amethyst. It shows his owner Shuk-Kuku with the goddess Ninsianna. Five columns of Elamite cuneiform inscription frame the scene.

The highest Roman god is sitting on a throne, leaning on the sceptre. Victoria is on his right hand. Clear glass imitating rock crystal.

The divine messenger and protector of the trades Hermes is engraved in violet glass. He is shown naked in his youth, resting on a rock. The hand holding the kerykeion is lowered.

The glass paste shows a young man with petasos. Possibly a representation of the god Mercurius.

It shows Zeus Ammon facing another head. This is a highly interesting specimen for Roman intaglios.

The flat relief shows an offering scene and above a hieroglyphic text describing the deceased Ptah-nefer, the priest and the offerings. A translation has been made by the renowned Egyptologist professor Kurth. The work of art dates to the 26th dynasty. It is adopting the style of the Old Kingdom.

The stamp AYK is not discussed in the literature at hand and thus may be rare.

Detaillierte Ausführung eines Medusenhaupts, gerahmt von Voluten. Hellroter Ton mit weißlicher Bemalung. Sehr gute Erhaltung.

Repeatedly published base of a Jupiter Column from the Roman province Germania superior. Mid 2nd century AD to mid 3rd century AD. With extensive provenance going back to the 17th century.